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Judy Creek Gallery

I'm Paul Charlton — a painter who enjoys not only creating art, but also celebrating the work of others.

Judy Creek Gallery is a virtual space where I showcase exceptional artwork that I truly admire — from both established artists and those just beginning to find their voice.

The gallery is named after Judy Creek, a beautiful little stream that runs behind my house.

Arsen Galikeev, Rocky Mountains

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- July 12, 2025

Oil, 10 x 10"

The colors and knife painting work enhance the feeling of being in this rugged landscape.

https://www.dailypaintworks.com/Artists/arsen-galikeev-14797

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Hester Berry, Combesgate Beach

- July 09, 2025

A rocky stage for a windswept sea and sky Q&A with the Artist What is this work about? Is it a depiction of a specific place? It's almost always about light, rather than about the landscape/subject itself. Here, it was about the particular colour of evening light as it fell on the various surfaces. Where did you create it — on location or in the studio? How long did it take? I made it in the studio, it will have taken around 3 hours. I try to paint quickly to keep things fresh and dynamic, without overworking things. Does the finished piece reflect your original vision? I don't really start with an original vision, other than the objective visual truth, so I just aim for that and see what happens! I'm pleased with it though as it landed on the right colours and pleasing marks without having to labour and refine things for hours. Sometimes a quick brushmark lands just right and does something visually interesting. I try to let those things happen, and that's ...

Footman Moth, Laura Langford

- August 10, 2025

Pastel, 10 x 7.2" The marks give the jewel like design a soft, organic feel. Q&A with the Artist What is this work about? Was it from life or a photo? This piece is part of a series of moth artworks that also includes a Tiger Moth, a Luna Moth, and a Decorated Beauty Moth and a few others. The series is about capturing the beauty of moths that might otherwise go unnoticed. I am drawn to their quiet elegance and intricate patterns. Where did you create it — on location or in the studio? How long did it take? I worked from reference photos for accuracy but aimed to keep the marks and textures expressive rather than overly precise. I created it in my studio where I do most of my pastel work. The process took a few hours spread over two sessions so that I could step back and return with fresh eyes. Does the finished piece reflect your original vision? Were there any challenges during the process? The finished piece does reflect my original vision in the sense that I wanted...